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Legnani
Luigi Rinaldo Legnani (7 November 1790 – 5 August 1877) was an Italian virtuoso guitarist, singer, composer and luthier. there is no evidence to support this claim. After the 1850s Legnani retired from active performance and became an instrument maker, concentrating on guitars and violins. The "Legnani model" guitar was popular in Central Europe through the middle of the nineteenth century.
Vu Thanh An
Vu Thanh An (born 1943) was one of the prominent musicians of South Vietnam from 1954 to 1975. The "Untitled" articles are his famous works. Currently, he is a deacon of the Roman Catholic Church, ceasing to compose love songs, but only composing hymns.
Mozart
Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 â 5 December 1791) was a prolific and influential composer of the Classical era. His over 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Napoleon Coste
Claude Antoine Jean Georges Napoléon Coste (June 28, 1805 – February 17, 1883) was a French guitarist and composer.
Napoléon Coste was born in Amondans (Doubs), France, near Besançon. He was first taught the guitar by his mother, an accomplished player. As a teenager he became a teacher of the instrument and appeared in many concerts in the Franche-Comté. In 1829, at the age of 24, he moved to Paris where he studied under Fernando Sor and quickly established himself as the leading French virtuoso guitarist. However, the demand for guitarists was in decline and, though his brilliance provided financial stability, he failed to find a publisher for his music. As such, he had to fund its publication himself.
Napoléon Coste was born in Amondans (Doubs), France, near Besançon. He was first taught the guitar by his mother, an accomplished player. As a teenager he became a teacher of the instrument and appeared in many concerts in the Franche-Comté. In 1829, at the age of 24, he moved to Paris where he studied under Fernando Sor and quickly established himself as the leading French virtuoso guitarist. However, the demand for guitarists was in decline and, though his brilliance provided financial stability, he failed to find a publisher for his music. As such, he had to fund its publication himself.
Paganini
Niccolò Paganini (27 October 1782 – 27 May 1840) was an Italian violinist, violist, guitarist, and composer. He was one of the most celebrated violin virtuosi of his time, and left his mark as one of the pillars of modern violin technique. His caprice in A minor, Op. 1 No. 24 is among his best known of compositions, and serves as inspiration for many prominent artists.
Paganini composed his own works to play exclusively in his concerts, all of which had profound influences on the evolution of violin techniques. His 24 Caprices were probably composed in the period between 1805 to 1809, while he was in the service of the Baciocchi court. Also during this period, he composed the majority of the solo pieces, duo-sonatas,trios and quartets for the guitar. These chamber works may have been inspired by the publication, in Lucca, of the guitar quintets of Boccherini. Many of his variations (and he has become the de facto master of this musical genre), including Le Streghe, The Carnival of Venice, and Nel cor più non mi sento, were composed, or at least first performed, before his European concert tour.
Playbill of Paganini's concert at the Covent Garden in 1832. Note that all solo pieces were of his composition, which was typical of all his concerts.
Generally speaking, Paganini's compositions were technically imaginative, and the timbre of the instrument was greatly expanded as a result of these works. Sounds of different musical instruments and animals were often imitated. One such composition was titled Il Fandango Spanolo (The Spanish Dance), which featured a series of humorous imitations of farm animals. Even more outrageous was a solo piece Duetto Amoroso, in which the sighs and groans of lovers were intimately depicted on the violin. Fortunately there survives a manuscript of the Duetto which has been recorded, while the existence of the Fandango is known only through concert posters.
However, his works were criticized for lacking characteristics of true polyphonism, as pointed out by Eugène Ysaÿe. Yehudi Menuhin, on the other hand, suggested that this might have been the result of his reliance on the guitar (in lieu of the piano) as an aid in composition. The orchestral parts for his concertos were often polite, unadventurous, and clearly supportive of the soloist. In this, his style is consistent with that of other Italian composers such as Paisiello, Rossini and Donizetti, who were influenced by the guitar-song milieu of Naples during this period.
Paganini was also the inspiration of many prominent composers. Both "La Campanella" and the A minor caprice (Nr. 24) have been an object of interest for a number of composers. Franz Liszt, Johannes Brahms, Sergei Rachmaninoff, Boris Blacher, Andrew Lloyd Webber, George Rochberg and Witold Lutosławski, among others, wrote well-known variations on these themes.
Paganini composed his own works to play exclusively in his concerts, all of which had profound influences on the evolution of violin techniques. His 24 Caprices were probably composed in the period between 1805 to 1809, while he was in the service of the Baciocchi court. Also during this period, he composed the majority of the solo pieces, duo-sonatas,trios and quartets for the guitar. These chamber works may have been inspired by the publication, in Lucca, of the guitar quintets of Boccherini. Many of his variations (and he has become the de facto master of this musical genre), including Le Streghe, The Carnival of Venice, and Nel cor più non mi sento, were composed, or at least first performed, before his European concert tour.
Playbill of Paganini's concert at the Covent Garden in 1832. Note that all solo pieces were of his composition, which was typical of all his concerts.
Generally speaking, Paganini's compositions were technically imaginative, and the timbre of the instrument was greatly expanded as a result of these works. Sounds of different musical instruments and animals were often imitated. One such composition was titled Il Fandango Spanolo (The Spanish Dance), which featured a series of humorous imitations of farm animals. Even more outrageous was a solo piece Duetto Amoroso, in which the sighs and groans of lovers were intimately depicted on the violin. Fortunately there survives a manuscript of the Duetto which has been recorded, while the existence of the Fandango is known only through concert posters.
However, his works were criticized for lacking characteristics of true polyphonism, as pointed out by Eugène Ysaÿe. Yehudi Menuhin, on the other hand, suggested that this might have been the result of his reliance on the guitar (in lieu of the piano) as an aid in composition. The orchestral parts for his concertos were often polite, unadventurous, and clearly supportive of the soloist. In this, his style is consistent with that of other Italian composers such as Paisiello, Rossini and Donizetti, who were influenced by the guitar-song milieu of Naples during this period.
Paganini was also the inspiration of many prominent composers. Both "La Campanella" and the A minor caprice (Nr. 24) have been an object of interest for a number of composers. Franz Liszt, Johannes Brahms, Sergei Rachmaninoff, Boris Blacher, Andrew Lloyd Webber, George Rochberg and Witold Lutosławski, among others, wrote well-known variations on these themes.
Giulio Regondi
Giulio Regondi (1822 – 6 May 1872) was a Swiss-born classical guitarist, concertinist and composer active in France and (mainly) the United Kingdom.Regondi was born of a German mother and an Italian father in Geneva, Switzerland. A child prodigy, Fernando Sor dedicated his Souvenir d'amitié op. 46 to Regondi in 1831, when the boy was just nine.there is a reference to his appearing in London in 1831, presented as a child prodigy of the guitar. Most of Regondi's concertina music was written for the English system, however, at which he was a virtuoso, though his guitar music is probably better known. His works for solo guitar comprise a set of etudes, variations on a theme by Bellini and five larger works.
Domenico Scarlatti
Giuseppe Domencio Scarlatti, Madrid, Spain. An Italian composer who has spent most of his life in Spain and Portugal. Although he lived in the Baroque period, his music mostly influenced the classical period.
Giovanni Battista Viotti
Giovanni Battista Viotti (12 May 1755 – 3 March 1824) was an Italian violinist whose virtuosity was famed and whose work as a composer featured a prominent violin and an appealing lyrical tunefulness. He was also a director of French and Italian opera companies in Paris and London. He personally knew Joseph Haydn and Ludwig van Beethoven.Viotti was born at Fontanetto Po in the Kingdom of Sardinia (today in the province of Vercelli, Piedmont, Italy). For his musical talent, he was taken into the household of principe Alfonso dal Pozzo della Cisterna in Turin, where he received a musical education that prepared him to be a pupil of Gaetano Pugnani.
Journey
Journey is an American rock band formed in San Francisco, California in 1973.
The band has gone through several phases since its inception by former members of Santana. The band's greatest commercial success came in the late 1970s through the early 1980s with a series of power ballads and songs such as "Don't Stop Believing", "Any Way You Want It", "Faithfully", "Open Arms", "Separate Ways", and "Wheel in the Sky."
Journey has been eligible for induction into the Rock & Roll Hall of Fame since 2000, but Gregg Rolie is currently the only member of Journey who has been inducted—as a member of parent band Santana. In 2009, Steve Perry, the band's best-known lead vocalist, will be eligible for induction as a solo artist.
Current members:
Neal Schon - Lead & rhythm guitars, backing vocals, lead vocals (1973-present)
Ross Valory - Bass, backing vocals, lead vocals (1973-1985, 1995-present)
Jonathan Cain - Piano, keyboards, harmonica, rhythm guitar, backing vocals, lead vocals (1980-present)
Deen Castronovo - Drums, percussion, backing vocals, lead vocals (1998-present)
Arnel Pineda - Lead vocals (2007-present)
The band has gone through several phases since its inception by former members of Santana. The band's greatest commercial success came in the late 1970s through the early 1980s with a series of power ballads and songs such as "Don't Stop Believing", "Any Way You Want It", "Faithfully", "Open Arms", "Separate Ways", and "Wheel in the Sky."
Journey has been eligible for induction into the Rock & Roll Hall of Fame since 2000, but Gregg Rolie is currently the only member of Journey who has been inducted—as a member of parent band Santana. In 2009, Steve Perry, the band's best-known lead vocalist, will be eligible for induction as a solo artist.
Current members:
Neal Schon - Lead & rhythm guitars, backing vocals, lead vocals (1973-present)
Ross Valory - Bass, backing vocals, lead vocals (1973-1985, 1995-present)
Jonathan Cain - Piano, keyboards, harmonica, rhythm guitar, backing vocals, lead vocals (1980-present)
Deen Castronovo - Drums, percussion, backing vocals, lead vocals (1998-present)
Arnel Pineda - Lead vocals (2007-present)
Erich Wolfgang Korngold
Erich Wolfgang Korngold is a musician and composer of the Austro-Hungarian Empire and later a US citizen. He is especially known for his romantic music and film soundtracks.
Speelklaar
Ready to Play- Easy Piano and Keyboard Edits - Music Score. Fast and reliable worldwide.
Viotti, Giovanni Battista
Giovanni Battista Viotti was an Italian violinist whose virtuosity was famed and whose work as a composer featured a prominent violin and an appealing lyrical tunefulness. He was also a director of French and Italian opera companies in Paris and London. He personally knew Joseph Haydn and Ludwig van Beethoven.
Harpa Cristã
Harpa Cristã Musical group Albums: Pentecostes - A Harpa Exalta o Espírito de Deus Songs Teu Espírito Vem Derramar
Pentecostes - A Harpa Exalta o Espírito de Deus · 1999 O Bom Consolador Pentecostes - A Harpa Exalta o Espírito de Deus · 1999 Fogo Divino Pentecostes - A Harpa Exalta o Espírito de Deus · 1999.
Pentecostes - A Harpa Exalta o Espírito de Deus · 1999 O Bom Consolador Pentecostes - A Harpa Exalta o Espírito de Deus · 1999 Fogo Divino Pentecostes - A Harpa Exalta o Espírito de Deus · 1999.
Tchaikovsky
Pyotr Il'yich Tchaikovsky (May 7 1840 â November 6 1893) was a Russian composer of the Romantic era. While not part of the nationalistic music group known as "The Five", Tchaikovsky wrote music which, in the opinion of Harold Schonberg, was distinctly Russian: plangent, introspective, with modally-inflected melody and harmony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Jamey Aebersold
Jamey Aebersold (born July 21, 1939 in New Albany, Indiana) is an American jazz saxophonist and music educator. His "Play-A-Long" series of instructional book and CD collections, using the chord-scale system, the first of which was released in 1967, are an internationally renowned resource for jazz education. As of 2009, 126 of these collections have been published by Aebersold, who currently teaches musical improvisation at the University of Louisville. He is also an adept pianist, bassist, and banjoist.
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