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Violin Sheet Music
"And what happened was, it's the same thing an older, more successful writer of ficition might say to a student: write about what you know. And what I knew -- of course I knew jazz, but I also knew country, blues and some rock and roll. And that came out." Larry Coryell - Jazz Guitar
Mozart
Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 â 5 December 1791) was a prolific and influential composer of the Classical era. His over 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Vivaldi
Antonio Lucio Vivaldi (March 4, 1678 â July 28, 1741), nicknamed il Prete Rosso ("The Red Priest"), was a Venetian priest and Baroque music composer, as well as a famous virtuoso violinist; he was born and raised in the Republic of Venice. The Four Seasons, a series of four violin concerti, is his best-known work and a highly popular Baroque piece.
Many of Vivaldi's compositions reflect a flamboyant, almost playful, exuberance. Most of Vivaldi's repertoire was rediscovered only in the first half of the 20th century in Turin and Genoa and was published in the second half. Vivaldi's music is innovative, breaking a consolidated tradition in schemes; he gave brightness to the formal and the rhythmic structure of the concerto, repeatedly looking for harmonic contrasts and innovative melodies and themes. Moreover, Vivaldi was able to compose nonacademic music, particularly meant to be appreciated by the wide public and not only by an intellectual minority. The joyful appearance of his music reveals in this regard a transmissible joy of composing; these are among the causes of the vast popularity of his music. This popularity soon made him famous in other countries such as France which was, at the time, very independent concerning its musical taste.
Vivaldi is considered one of the composers who brought Baroque music (with its typical contrast among heavy sonorities) to evolve into a classical style. Johann Sebastian Bach was deeply influenced by Vivaldi's concertos and arias (recalled in his Johannes Passion, Matthäuspassion, and cantatas). Bach transcribed a number of Vivaldi's concerti for solo keyboard, along with a number for orchestra, including the famous Concerto for Four Violins and Violoncello, Strings and Continuo (RV 580).
Many of Vivaldi's compositions reflect a flamboyant, almost playful, exuberance. Most of Vivaldi's repertoire was rediscovered only in the first half of the 20th century in Turin and Genoa and was published in the second half. Vivaldi's music is innovative, breaking a consolidated tradition in schemes; he gave brightness to the formal and the rhythmic structure of the concerto, repeatedly looking for harmonic contrasts and innovative melodies and themes. Moreover, Vivaldi was able to compose nonacademic music, particularly meant to be appreciated by the wide public and not only by an intellectual minority. The joyful appearance of his music reveals in this regard a transmissible joy of composing; these are among the causes of the vast popularity of his music. This popularity soon made him famous in other countries such as France which was, at the time, very independent concerning its musical taste.
Vivaldi is considered one of the composers who brought Baroque music (with its typical contrast among heavy sonorities) to evolve into a classical style. Johann Sebastian Bach was deeply influenced by Vivaldi's concertos and arias (recalled in his Johannes Passion, Matthäuspassion, and cantatas). Bach transcribed a number of Vivaldi's concerti for solo keyboard, along with a number for orchestra, including the famous Concerto for Four Violins and Violoncello, Strings and Continuo (RV 580).
Lars Frankell
Lars Frankell is a musician and arranger known for her successful arrangements for old music, apart from her own compositions.
Antonin Dvorak
Antonín Leopold Dvořák (English pronunciation: /ˈdvɒrʒɑːk/ DVOR-zhahk or /ˈdvɒrʒæk/ DVOR-zhak; Czech: ( listen); September 8, 1841 – May 1, 1904) was a Czech composer of Romantic music, who employed the idioms of the folk music of Moravia and his native Bohemia. His works include operas, symphonic, choral and chamber music. His best-known works include his New World Symphony, the Slavonic Dances, "American" String Quartet, and Cello Concerto in B minor.
Dvořák wrote in a variety of forms: his nine symphonies generally stick to classical models that Beethoven would have recognised, but he also worked in the newly developed symphonic poem form and the influence of Richard Wagner is apparent in some works. Many of his works also show the influence of Czech folk music, both in terms of rhythms and melodic shapes; perhaps the best known examples are the two sets of Slavonic Dances. Dvořák also wrote operas (of which the best known is Rusalka); serenades for string orchestra and wind ensemble; chamber music (including a number of string quartets, and quintets); songs; choral music; and piano music.
Dvořák wrote in a variety of forms: his nine symphonies generally stick to classical models that Beethoven would have recognised, but he also worked in the newly developed symphonic poem form and the influence of Richard Wagner is apparent in some works. Many of his works also show the influence of Czech folk music, both in terms of rhythms and melodic shapes; perhaps the best known examples are the two sets of Slavonic Dances. Dvořák also wrote operas (of which the best known is Rusalka); serenades for string orchestra and wind ensemble; chamber music (including a number of string quartets, and quintets); songs; choral music; and piano music.
Nicolo paganini
Niccolò Paganini, Italian composer, violin virtuoso guitarist and composer. He is one of the most famous violin virtuosos in music history. He has made important contributions to the violin technique and has given many works in the field of violin, guitar and chamber music.
Isabella Weiss
Isabella Weiss musician and makes arrangements, plays the violin
Paganini
Niccolò Paganini (27 October 1782 – 27 May 1840) was an Italian violinist, violist, guitarist, and composer. He was one of the most celebrated violin virtuosi of his time, and left his mark as one of the pillars of modern violin technique. His caprice in A minor, Op. 1 No. 24 is among his best known of compositions, and serves as inspiration for many prominent artists.
Paganini composed his own works to play exclusively in his concerts, all of which had profound influences on the evolution of violin techniques. His 24 Caprices were probably composed in the period between 1805 to 1809, while he was in the service of the Baciocchi court. Also during this period, he composed the majority of the solo pieces, duo-sonatas,trios and quartets for the guitar. These chamber works may have been inspired by the publication, in Lucca, of the guitar quintets of Boccherini. Many of his variations (and he has become the de facto master of this musical genre), including Le Streghe, The Carnival of Venice, and Nel cor più non mi sento, were composed, or at least first performed, before his European concert tour.
Playbill of Paganini's concert at the Covent Garden in 1832. Note that all solo pieces were of his composition, which was typical of all his concerts.
Generally speaking, Paganini's compositions were technically imaginative, and the timbre of the instrument was greatly expanded as a result of these works. Sounds of different musical instruments and animals were often imitated. One such composition was titled Il Fandango Spanolo (The Spanish Dance), which featured a series of humorous imitations of farm animals. Even more outrageous was a solo piece Duetto Amoroso, in which the sighs and groans of lovers were intimately depicted on the violin. Fortunately there survives a manuscript of the Duetto which has been recorded, while the existence of the Fandango is known only through concert posters.
However, his works were criticized for lacking characteristics of true polyphonism, as pointed out by Eugène Ysaÿe. Yehudi Menuhin, on the other hand, suggested that this might have been the result of his reliance on the guitar (in lieu of the piano) as an aid in composition. The orchestral parts for his concertos were often polite, unadventurous, and clearly supportive of the soloist. In this, his style is consistent with that of other Italian composers such as Paisiello, Rossini and Donizetti, who were influenced by the guitar-song milieu of Naples during this period.
Paganini was also the inspiration of many prominent composers. Both "La Campanella" and the A minor caprice (Nr. 24) have been an object of interest for a number of composers. Franz Liszt, Johannes Brahms, Sergei Rachmaninoff, Boris Blacher, Andrew Lloyd Webber, George Rochberg and Witold Lutosławski, among others, wrote well-known variations on these themes.
Paganini composed his own works to play exclusively in his concerts, all of which had profound influences on the evolution of violin techniques. His 24 Caprices were probably composed in the period between 1805 to 1809, while he was in the service of the Baciocchi court. Also during this period, he composed the majority of the solo pieces, duo-sonatas,trios and quartets for the guitar. These chamber works may have been inspired by the publication, in Lucca, of the guitar quintets of Boccherini. Many of his variations (and he has become the de facto master of this musical genre), including Le Streghe, The Carnival of Venice, and Nel cor più non mi sento, were composed, or at least first performed, before his European concert tour.
Playbill of Paganini's concert at the Covent Garden in 1832. Note that all solo pieces were of his composition, which was typical of all his concerts.
Generally speaking, Paganini's compositions were technically imaginative, and the timbre of the instrument was greatly expanded as a result of these works. Sounds of different musical instruments and animals were often imitated. One such composition was titled Il Fandango Spanolo (The Spanish Dance), which featured a series of humorous imitations of farm animals. Even more outrageous was a solo piece Duetto Amoroso, in which the sighs and groans of lovers were intimately depicted on the violin. Fortunately there survives a manuscript of the Duetto which has been recorded, while the existence of the Fandango is known only through concert posters.
However, his works were criticized for lacking characteristics of true polyphonism, as pointed out by Eugène Ysaÿe. Yehudi Menuhin, on the other hand, suggested that this might have been the result of his reliance on the guitar (in lieu of the piano) as an aid in composition. The orchestral parts for his concertos were often polite, unadventurous, and clearly supportive of the soloist. In this, his style is consistent with that of other Italian composers such as Paisiello, Rossini and Donizetti, who were influenced by the guitar-song milieu of Naples during this period.
Paganini was also the inspiration of many prominent composers. Both "La Campanella" and the A minor caprice (Nr. 24) have been an object of interest for a number of composers. Franz Liszt, Johannes Brahms, Sergei Rachmaninoff, Boris Blacher, Andrew Lloyd Webber, George Rochberg and Witold Lutosławski, among others, wrote well-known variations on these themes.
Traditional
Ernesto Cavallini
Ernesto Cavallini (1807–1874) was an Italian clarinetist and composer.
Cavallini was the principal clarinetist of La Scala in Milan. He played on a six-key boxwood clarinet, which was considered an "outdated" instrument.
As a composer, he is best known for Adagio and Tarantella, Adagio Sentimental, his fantasies, and his 30 Caprices for Clarinet. Cavallini was described as the "Paganini of the clarinet". He cited Rossini as an influence in his compositions. Cavallini's playing inspired Verdi to compose a clarinet solo and cadenza in his 1862 La forza del destino.
Cavallini was the principal clarinetist of La Scala in Milan. He played on a six-key boxwood clarinet, which was considered an "outdated" instrument.
As a composer, he is best known for Adagio and Tarantella, Adagio Sentimental, his fantasies, and his 30 Caprices for Clarinet. Cavallini was described as the "Paganini of the clarinet". He cited Rossini as an influence in his compositions. Cavallini's playing inspired Verdi to compose a clarinet solo and cadenza in his 1862 La forza del destino.
Peter Martin
Martin was born in St. Louis, Missouri on August 17, 1970. He won Second Place at the 1993 Thelonious Monk International Jazz Piano Competition.
Martin is musical director and pianist for Dianne Reeves and arranged and played music for her Grammy Award-winning soundtrack to the motion picture Good Night, and Good Luck. He also appeared in the film.
In September 2008 he was appointed lecturer in jazz studies at the Bienen School of Music at Northwestern University. He has also been on the music faculty at Tulane University, the University of New Orleans and New Orleans Center for Creative Arts.
Martin is musical director and pianist for Dianne Reeves and arranged and played music for her Grammy Award-winning soundtrack to the motion picture Good Night, and Good Luck. He also appeared in the film.
In September 2008 he was appointed lecturer in jazz studies at the Bienen School of Music at Northwestern University. He has also been on the music faculty at Tulane University, the University of New Orleans and New Orleans Center for Creative Arts.
Astor Piazzolla
Ástor Pantaleón Piazzolla (March 11, 1921 – July 4, 1992) was an Argentine tango composer and bandoneón player. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. An excellent bandoneonist, he regularly performed his own compositions with different ensembles.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Bond Quartet
Together Tania Davis (Violin), Eos Counsell (violin), Elspeth Hanson (viola) and Gay-Yee Westerhoff (cello) complete the line-up of BOND.
At its launch, BOND was hailed in the press as ‘the Spice Girls of Classical music’, and went onto turn the world of classical crossover music on its head, spawning many electric string groups inspired by its unique sound.
The members of BOND draw their inspiration from classical, latin, folk, jazz, rock, pop, electro, Indian and middle eastern styles. They have built a very active and loyal international fan base over the years and, since their debut, BOND have sold over 4 million albums worldwide, making BOND the best-selling string quartet of all time.
At its launch, BOND was hailed in the press as ‘the Spice Girls of Classical music’, and went onto turn the world of classical crossover music on its head, spawning many electric string groups inspired by its unique sound.
The members of BOND draw their inspiration from classical, latin, folk, jazz, rock, pop, electro, Indian and middle eastern styles. They have built a very active and loyal international fan base over the years and, since their debut, BOND have sold over 4 million albums worldwide, making BOND the best-selling string quartet of all time.
The Beatles
The Beatles were a pop and rock group from Liverpool, England formed in 1960. Primarily consisting of John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, vocals) and Ringo Starr (drums, vocals) throughout their career, The Beatles are recognised for leading the mid-1960s musical "British Invasion" into the United States. Although their initial musical style was rooted in 1950s rock and roll and homegrown skiffle, the group explored genres ranging from Tin Pan Alley to psychedelic rock. Their clothes, styles, and statements made them trend-setters, while their growing social awareness saw their influence extend into the social and cultural revolutions of the 1960s. After the band broke up in 1970, all four members embarked upon solo careers.
The Beatles are one of the most commercially successful and critically acclaimed bands in the history of popular music, selling over a billion records internationally. In the United Kingdom, The Beatles released more than 40 different singles, albums, and EPs that reached number one, earning more number one albums (15) than any other group in UK chart history. This commercial success was repeated in many other countries; their record company, EMI, estimated that by 1985 they had sold over one billion records worldwide. According to the Recording Industry Association of America, The Beatles have sold more albums in the United States than any other band. In 2004, Rolling Stone magazine ranked The Beatles number one on its list of 100 Greatest Artists of All Time. According to that same magazine, The Beatles' innovative music and cultural impact helped define the 1960s, and their influence on pop culture is still evident today. In 2008, Billboard magazine released a list of top-selling Hot 100 artists to celebrate the chart's fiftieth anniversary; The Beatles reached #1 again.
The Beatles are one of the most commercially successful and critically acclaimed bands in the history of popular music, selling over a billion records internationally. In the United Kingdom, The Beatles released more than 40 different singles, albums, and EPs that reached number one, earning more number one albums (15) than any other group in UK chart history. This commercial success was repeated in many other countries; their record company, EMI, estimated that by 1985 they had sold over one billion records worldwide. According to the Recording Industry Association of America, The Beatles have sold more albums in the United States than any other band. In 2004, Rolling Stone magazine ranked The Beatles number one on its list of 100 Greatest Artists of All Time. According to that same magazine, The Beatles' innovative music and cultural impact helped define the 1960s, and their influence on pop culture is still evident today. In 2008, Billboard magazine released a list of top-selling Hot 100 artists to celebrate the chart's fiftieth anniversary; The Beatles reached #1 again.
Arnold Schönberg
Arnold Franz Walter Schönberg is an Austrian-Hungarian composer who has made great contributions to 20th century music. Became a US citizen after 1941
Grieg
Edvard Hagerup Grieg (/ɡriːɡ/ GREEG, Norwegian: ; 15 June 1843 – 4 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use and development of Norwegian folk music in his own compositions brought the music of Norway to international consciousness, as well as helping to develop a national identity, much as Jean Sibelius and Bedřich Smetana did in Finland and Bohemia, respectively.
Grieg is the most celebrated person from the city of Bergen, with numerous statues depicting his image, and many cultural entities named after him: the city's largest concert building (Grieg Hall), its most advanced music school (Grieg Academy) and its professional choir (Edvard Grieg Kor). The Edvard Grieg Museum at Grieg's former home, Troldhaugen, is dedicated to his legacy.
Grieg is the most celebrated person from the city of Bergen, with numerous statues depicting his image, and many cultural entities named after him: the city's largest concert building (Grieg Hall), its most advanced music school (Grieg Academy) and its professional choir (Edvard Grieg Kor). The Edvard Grieg Museum at Grieg's former home, Troldhaugen, is dedicated to his legacy.
Otto Hotakainen
Otto Hotakainen (April 5, 1908 Halsua - October 22, 1990 Halsua) was a master player from Halsua. As a musician, he was self-taught.Hotakainen's performances from 1969–1980 have been compiled for the CD collection Polkka-Otto.
Otto Hotakainen was awarded the title of champion fellow in 1970. His son Risto Hotakainen has also been awarded the title of master fellow.
Otto Hotakainen was awarded the title of champion fellow in 1970. His son Risto Hotakainen has also been awarded the title of master fellow.
Dmitri Shostakovich
Dmitri Dmitriyevich Shostakovich, Russian composer. The USSR Supreme Soviet MP was awarded the Order of Lenin. The composer, who wrote the most important symphonies of the 20th century, produced many works, including soundtrack, song and jazz.
Pablo de Sarasate
Pablo Martín Melitón de Sarasate y Navascués (10 March 1844 – 20 September 1908) was a Spanish violinist and composer of the Romantic period.
Georges Bizet
Georges Bizet (25 October 1838 – 3 June 1875) was a French composer and pianist of the Romantic era. He is best known for the opera Carmen.
Bizet was born at 26 rue de la Tour d'Auvergne in the 9th arrondissement of Paris in 1838. He was registered with the legal name Alexandre César Léopold Bizet, but he was baptised on 16 March 1840 with the first name Georges, and he was always known thereafter as Georges Bizet. His father Adolphe Armand Bizet (1810-86) was an amateur singer and composer, and his mother, Aimée Léopoldine Joséphine née Delsarte (1814-61), was the sister of the famous singing teacher François Delsarte.
He entered the Paris Conservatory of Music on 9 October 1848, a fortnight before his tenth birthday. His teachers there were Pierre Zimmermann (fugue and counterpoint; often assisted by his son-in-law Charles Gounod), Antoine François Marmontel (piano), François Benoist (organ) and, on Zimmermann's death, Fromental Halévy, whose daughter he himself later married. He won first prizes for organ and fugue in 1855 and completed his earliest compositions.
His first symphony, the Symphony in C, was written in November 1855, when he was seventeen, evidently as a student assignment. It was unknown to the world until 1933, when it was discovered in the archives of the Paris Conservatory library. Upon its first performance in 1935, it was immediately hailed as a junior masterwork and a welcome addition to the early Romantic period repertoire. The symphony bears a stylistic resemblance to the first symphony of Gounod, first played earlier in the same year, and which Bizet had arranged for two pianos although present-day listeners may discern a similarity to music of Franz Schubert, whose work was little known in France at the time the symphony was written.
In 1857, a setting of the one-act operetta Le docteur Miracle won him a share in a prize offered by Jacques Offenbach. He also won the music composition scholarship of the Prix de Rome, the conditions of which required him to study in Rome for three years. There, his talent developed as he wrote such works as the opera buffa Don Procopio (1858-59). There he also composed his only major sacred work, Te Deum (1858), which he submitted to the Prix Rodrigues competition, a contest for Prix de Rome winners only. Bizet failed to win the Prix Rodrigues, and the Te Deum score remained unpublished until 1971. He made two attempts to write another symphony in 1859, but destroyed the manuscripts in December of that year. Apart from this period in Rome, Bizet lived in the Paris area all his life.
Shortly after leaving Rome in July 1860, but while still touring in Italy, he had the idea of writing a symphony in which each of the four movements would be a musical evocation of a different Italian city – Rome, Venice, Florence and Naples. On hearing of his mother's serious illness he cut short his Italian travels and returned to Paris in September 1860; she died a year later. The Scherzo of the symphony was completed by November 1861, but it was not until 1866 that the first version of the whole symphony was written. He subjected it to a number of revisions through to 1871, but died before ever producing what he considered the definitive version. For this reason, the work is sometimes described as "unfinished", but this is an inaccurate description as it was fully scored. It was published in 1880 as the Roma Symphony.
Bizet was born at 26 rue de la Tour d'Auvergne in the 9th arrondissement of Paris in 1838. He was registered with the legal name Alexandre César Léopold Bizet, but he was baptised on 16 March 1840 with the first name Georges, and he was always known thereafter as Georges Bizet. His father Adolphe Armand Bizet (1810-86) was an amateur singer and composer, and his mother, Aimée Léopoldine Joséphine née Delsarte (1814-61), was the sister of the famous singing teacher François Delsarte.
He entered the Paris Conservatory of Music on 9 October 1848, a fortnight before his tenth birthday. His teachers there were Pierre Zimmermann (fugue and counterpoint; often assisted by his son-in-law Charles Gounod), Antoine François Marmontel (piano), François Benoist (organ) and, on Zimmermann's death, Fromental Halévy, whose daughter he himself later married. He won first prizes for organ and fugue in 1855 and completed his earliest compositions.
His first symphony, the Symphony in C, was written in November 1855, when he was seventeen, evidently as a student assignment. It was unknown to the world until 1933, when it was discovered in the archives of the Paris Conservatory library. Upon its first performance in 1935, it was immediately hailed as a junior masterwork and a welcome addition to the early Romantic period repertoire. The symphony bears a stylistic resemblance to the first symphony of Gounod, first played earlier in the same year, and which Bizet had arranged for two pianos although present-day listeners may discern a similarity to music of Franz Schubert, whose work was little known in France at the time the symphony was written.
In 1857, a setting of the one-act operetta Le docteur Miracle won him a share in a prize offered by Jacques Offenbach. He also won the music composition scholarship of the Prix de Rome, the conditions of which required him to study in Rome for three years. There, his talent developed as he wrote such works as the opera buffa Don Procopio (1858-59). There he also composed his only major sacred work, Te Deum (1858), which he submitted to the Prix Rodrigues competition, a contest for Prix de Rome winners only. Bizet failed to win the Prix Rodrigues, and the Te Deum score remained unpublished until 1971. He made two attempts to write another symphony in 1859, but destroyed the manuscripts in December of that year. Apart from this period in Rome, Bizet lived in the Paris area all his life.
Shortly after leaving Rome in July 1860, but while still touring in Italy, he had the idea of writing a symphony in which each of the four movements would be a musical evocation of a different Italian city – Rome, Venice, Florence and Naples. On hearing of his mother's serious illness he cut short his Italian travels and returned to Paris in September 1860; she died a year later. The Scherzo of the symphony was completed by November 1861, but it was not until 1866 that the first version of the whole symphony was written. He subjected it to a number of revisions through to 1871, but died before ever producing what he considered the definitive version. For this reason, the work is sometimes described as "unfinished", but this is an inaccurate description as it was fully scored. It was published in 1880 as the Roma Symphony.
Shoji Meguro
Shōji Meguro (目黒 将司 Meguro Shōji?, born June 4, 1971) is a Japanese video game composer and director who joined Atlus in 1996 and has composed music for many of their games, mainly those in the Megami Tensei series.
Born in Tokyo, Japan, Shōji Meguro majored in hydrodynamics at the College of Industrial Technology at Nihon University.
Although his works feature a signature rock style, Meguro experiments with different musical genres, such as orchestral, electronica, jazz, rap, RnB and hip hop from soundtrack to soundtrack. Meguro cites T-Square, Casiopea, Ludwig van Beethoven, and Pyotr Ilyich Tchaikovsky as musical influences.
Born in Tokyo, Japan, Shōji Meguro majored in hydrodynamics at the College of Industrial Technology at Nihon University.
Although his works feature a signature rock style, Meguro experiments with different musical genres, such as orchestral, electronica, jazz, rap, RnB and hip hop from soundtrack to soundtrack. Meguro cites T-Square, Casiopea, Ludwig van Beethoven, and Pyotr Ilyich Tchaikovsky as musical influences.
Naruto
Naruto is an ongoing Japanese manga series written and illustrated by Masashi Kishimoto with an anime adaptation. The plot tells the story of Naruto Uzumaki, a loud, hyperactive, unpredictable, adolescent ninja who constantly searches for recognition and aspires to become a Hokage, the ninja in his village that is acknowledged as the leader and the strongest of all. The series is based on a one-shot that Kishimoto first authored in the August 1997 issue of Akamaru Jump.
The manga was first published by Shueisha in 1999 in the 43rd issue of Japan's Weekly Shōnen Jump magazine and it is still being released with forty-four volumes. The manga would be later adapted into an anime produced by Studio Pierrot and Aniplex. It premiered across Japan on the terrestrial TV Tokyo network and the anime satellite television network Animax on October 3, 2002. The first series lasted nine seasons, while Naruto: Shippūden, a sequel of the series, began its first on February 15, 2007 and is still airing.
The manga was first published by Shueisha in 1999 in the 43rd issue of Japan's Weekly Shōnen Jump magazine and it is still being released with forty-four volumes. The manga would be later adapted into an anime produced by Studio Pierrot and Aniplex. It premiered across Japan on the terrestrial TV Tokyo network and the anime satellite television network Animax on October 3, 2002. The first series lasted nine seasons, while Naruto: Shippūden, a sequel of the series, began its first on February 15, 2007 and is still airing.
True Tears
Nakagami copes with having his dream girl act coldly towards him when she comes to live with his family after her father dies.
George Phillip Telemann
Georg Philipp Telemann is a German musician, composer and virtuoso of various instruments. His compositions are in German baroque style. He studied languages and science at the University of Leipzig
Inuyasha
InuYasha (犬夜叉?), full title InuYasha, a Feudal Fairy Tale (戦国御伽草子 犬夜叉 Sengoku Otogizōshi InuYasha?), is a Japanese manga series written and illustrated by Rumiko Takahashi. It premiered in Weekly Shōnen Sunday on November 13, 1996 and concluded on June 18, 2008. The series follows a half-demon, a time-traveling high school girl, a lecherous monk, a fox demon, and a demon slayer during the Sengoku period as they seek to find all the fragments of the Jewel of Four Souls and to keep them out of the hands of evildoers, especially Naraku.
The manga was adapted as two anime television series produced by Sunrise. The first, broadcast for 167 episodes on Yomiuri TV in Japan from October 16, 2000 until September 13, 2004, was directed by Masashi Ikeda for the first forty-four episodes and by Yasunao Aoki for the remainder. The second series, called InuYasha: The Final Act, began airing October 3, 2009 to cover the rest of the manga series and ended on March 29, 2010.
The manga was adapted as two anime television series produced by Sunrise. The first, broadcast for 167 episodes on Yomiuri TV in Japan from October 16, 2000 until September 13, 2004, was directed by Masashi Ikeda for the first forty-four episodes and by Yasunao Aoki for the remainder. The second series, called InuYasha: The Final Act, began airing October 3, 2009 to cover the rest of the manga series and ended on March 29, 2010.
Klaus Badelt
Klaus Badelt (born 1968) is a German composer, best known for composing film scores.
Badelt was born in Frankfurt, Germany. He started his musical career composing for many successful movies and commercials in his homeland. In 1998, Oscar-winning film composer Hans Zimmer invited Badelt to work at Media Ventures in Santa Monica, his studio co-owned by Jay Rifkin. Since then, Badelt has been working on a number of his own film and television projects such as The Time Machine and K-19: The Widowmaker. He has also collaborated with other Media Ventures composers, such as Harry Gregson-Williams, John Powell, and Zimmer.
While collaborating with Zimmer, Badelt has contributed to the Oscar-nominated scores for The Thin Red Line and The Prince of Egypt, as well as writing music for many well known directors including Ridley Scott, Tony Scott, Terrence Mallick, John Woo, Kathryn Bigelow, Jeffrey Katzenberg, Tom Cruise, Sean Penn, Gore Verbinski, and Steven Spielberg.
Badelt co-produced the score to Hollywood box office hit Gladiator, directed by Ridley Scott, as well as writing portions of the score with singer/composer Lisa Gerrard. Having contributed music to Gladiator, Mission: Impossible 2 and Michael Kamen's score for X-Men, Badelt was involved in the three most successful movies in 2000. Badelt also collaborated with Zimmer on other successful films, such as The Pledge, and 2001 blockbusters Hannibal and Pearl Harbor. One of his more famous - and more popular - scores is the score to the 2003 film Pirates of the Caribbean: The Curse of the Black Pearl.
Among Badelt's most critically celebrated scores are the Chinese fantasy film The Promise and Dreamworks' remake of The Time Machine, the latter which earned him the Discovery of the Year Award at the World Soundtrack Awards 2003.
Badelt was born in Frankfurt, Germany. He started his musical career composing for many successful movies and commercials in his homeland. In 1998, Oscar-winning film composer Hans Zimmer invited Badelt to work at Media Ventures in Santa Monica, his studio co-owned by Jay Rifkin. Since then, Badelt has been working on a number of his own film and television projects such as The Time Machine and K-19: The Widowmaker. He has also collaborated with other Media Ventures composers, such as Harry Gregson-Williams, John Powell, and Zimmer.
While collaborating with Zimmer, Badelt has contributed to the Oscar-nominated scores for The Thin Red Line and The Prince of Egypt, as well as writing music for many well known directors including Ridley Scott, Tony Scott, Terrence Mallick, John Woo, Kathryn Bigelow, Jeffrey Katzenberg, Tom Cruise, Sean Penn, Gore Verbinski, and Steven Spielberg.
Badelt co-produced the score to Hollywood box office hit Gladiator, directed by Ridley Scott, as well as writing portions of the score with singer/composer Lisa Gerrard. Having contributed music to Gladiator, Mission: Impossible 2 and Michael Kamen's score for X-Men, Badelt was involved in the three most successful movies in 2000. Badelt also collaborated with Zimmer on other successful films, such as The Pledge, and 2001 blockbusters Hannibal and Pearl Harbor. One of his more famous - and more popular - scores is the score to the 2003 film Pirates of the Caribbean: The Curse of the Black Pearl.
Among Badelt's most critically celebrated scores are the Chinese fantasy film The Promise and Dreamworks' remake of The Time Machine, the latter which earned him the Discovery of the Year Award at the World Soundtrack Awards 2003.
Bach
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation in composition for diverse musical forces, and the adaptation of rhythms and textures from abroad, particularly Italy and France.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Carlos Gardel
Carlos Gardel (11 December 1890 – 24 June 1935) was a singer, songwriter and actor, and is perhaps the most prominent figure in the history of tango. The unerring musicality of Gardel's baritone voice and the dramatic phrasing of his lyrics made miniature masterpieces of his hundreds of three-minute tango recordings. Together with lyricist and long-time collaborator Alfredo Le Pera, Gardel wrote several classic tangos, most notably "Mi Buenos Aires querido", "Por una cabeza" and "El día que me quieras".
Gardel died in an airplane crash at the height of his career, becoming an archetypal tragic hero mourned throughout Latin America. For many, Gardel embodies the soul of the tango style. He is commonly referred to as "Carlitos", "El Zorzal" (The Song Thrush), "The King of Tango", "El Mago" (The Magician) and "El Mudo" (The Mute).
Gardel died in an airplane crash at the height of his career, becoming an archetypal tragic hero mourned throughout Latin America. For many, Gardel embodies the soul of the tango style. He is commonly referred to as "Carlitos", "El Zorzal" (The Song Thrush), "The King of Tango", "El Mago" (The Magician) and "El Mudo" (The Mute).
Fritz Kreisler
Friedrich "Fritz" Kreisler was an Austrian-born violinist and composer. One of the most noted violin masters of his day, and regarded as one of the greatest violinists of all time, he was known for his sweet tone and expressive phrasing
Gustav Holst
Gustav Theodore Holst (21 September 1874 – 25 May 1934) was an English composer and was a music teacher for nearly 20 years. He is most famous for his orchestral suite The Planets. Having studied at the Royal College of Music in London, his early work was influenced by Ravel, Grieg, Richard Strauss, and fellow student Ralph Vaughan Williams, but most of his music is highly original, with influences from Hindu spiritualism and English folk tunes. Holst's music is well known for unconventional use of metre and haunting melodies.
Holst wrote almost 200 catalogued compositions, including orchestral suites, operas, ballets, concertos, choral hymns, and songs (see Selected works below).
Holst became music master at St Paul's Girls' School in 1905 and director of music at Morley College in 1907, continuing in both posts until retirement.
He was the brother of Hollywood actor Ernest Cossart and father of the composer and conductor Imogen Holst, who wrote a biography of him in 1938.
Holst wrote almost 200 catalogued compositions, including orchestral suites, operas, ballets, concertos, choral hymns, and songs (see Selected works below).
Holst became music master at St Paul's Girls' School in 1905 and director of music at Morley College in 1907, continuing in both posts until retirement.
He was the brother of Hollywood actor Ernest Cossart and father of the composer and conductor Imogen Holst, who wrote a biography of him in 1938.
Bernard Herrmann
Bernard Herrmann (June 29, 1911 – December 24, 1975) was an American composer noted for his work in motion pictures.
An Academy Award-winner (for The Devil and Daniel Webster, 1941), Herrmann is particularly known for his collaborations with director Alfred Hitchcock, most famously Psycho, North by Northwest, The Man Who Knew Too Much, and Vertigo. He also composed notable scores for many other movies, including Citizen Kane, The Ghost and Mrs. Muir, Cape Fear, and Taxi Driver. He worked extensively in radio drama (most notably for Orson Welles), composed the scores for several fantasy films by Ray Harryhausen, and many TV programs including most notably Rod Serling's The Twilight Zone.
An Academy Award-winner (for The Devil and Daniel Webster, 1941), Herrmann is particularly known for his collaborations with director Alfred Hitchcock, most famously Psycho, North by Northwest, The Man Who Knew Too Much, and Vertigo. He also composed notable scores for many other movies, including Citizen Kane, The Ghost and Mrs. Muir, Cape Fear, and Taxi Driver. He worked extensively in radio drama (most notably for Orson Welles), composed the scores for several fantasy films by Ray Harryhausen, and many TV programs including most notably Rod Serling's The Twilight Zone.
Charles Dancla
Jean Baptiste Charles Dancla (19 December 1817 in Bagnères-de-Bigorre – 10 October 1907 in Tunis) was a French violinist and composer.
When Dancla was nine years old the violinist Pierre Rode in Bordeaux heard his music; he was so impressed that he sent a recommendation letter to Pierre Baillot, Luigi Cherubini and Rodolphe Kreutzer. Thus Dancla became pupil to Paris conservatoires with Baillot for violin and with the opera composer Fromental Halévy for composition. He was strongly shaped by Niccolò Paganini, who experienced him in 1830, as well as by Henri Vieuxtemps. From 1835 onward Dancla was solo violinist in that Paris opera, and shortly thereafter he became concert master. In the year 1857 he was made a Professor to Paris conservatoires, where he was a successful teacher for over 35 years.
His two brothers were Arnaud Dancla (1819-1862), Cellist and author of a considerable cello teaching method, and Leopold Dancla (1822-1895), Violinist and composer of chamber music.
When Dancla was nine years old the violinist Pierre Rode in Bordeaux heard his music; he was so impressed that he sent a recommendation letter to Pierre Baillot, Luigi Cherubini and Rodolphe Kreutzer. Thus Dancla became pupil to Paris conservatoires with Baillot for violin and with the opera composer Fromental Halévy for composition. He was strongly shaped by Niccolò Paganini, who experienced him in 1830, as well as by Henri Vieuxtemps. From 1835 onward Dancla was solo violinist in that Paris opera, and shortly thereafter he became concert master. In the year 1857 he was made a Professor to Paris conservatoires, where he was a successful teacher for over 35 years.
His two brothers were Arnaud Dancla (1819-1862), Cellist and author of a considerable cello teaching method, and Leopold Dancla (1822-1895), Violinist and composer of chamber music.
Liana Alexandra
Liana Alexandra (born Liana Moraru; 27 May 1947 – 10 January 2011) was a Romanian composer, pianist and music educatorAlexandra was born in Bucharest, Romania. From 1965 to 1971, she studied at the Ciprian Porumbescu Conservatory (now the National University of Music Bucharest) under Tudor Ciortea and Tiberiu Olah and took composition courses in 1974, 1978, 1980 and 1984 in Darmstadt, Germany. She had a doctorate in musicology and taught composition, orchestration, and music analysis at the Conservatory from 1971 until her death in 2011. A prolific composer in the neoromantic style, Alexandra had over 100 of her works performed and published in Romania. According to musicologist Octavian Cosma, she was "in her element with orchestral and chamber music, employing repetitive and evolving techniques, with melodic lines which suggest lyricism and meditation" and an instrumentation that used "a palette of delicate, pastel colours." Alexandra married the Romanian cellist and composer Şerban Nichifor in 1978. They performed together as Duo Intermedia from 1990 and were co-directors of the Nuova Musica Consonante - Living Music Foundation Festival.
Music theory
Music theory is the study of the practices and possibilities of music. The Oxford Companion to Music describes three interrelated uses of the term "music theory"
Nobuo Uematsu
Nobuo Uematsu (植松伸夫 Uematsu Nobuo?, born March 21, 1959) is a Japanese video game composer and musician, best known for scoring the majority of titles in the Final Fantasy series. He is regarded as one of the most famous and respected composers in the video game community. Uematsu is a self-taught musician; he began to play the piano at the age of eleven or twelve, with Elton John as his biggest influence.
Uematsu joined Square (later Square Enix) in 1985, where he met Final Fantasy creator Hironobu Sakaguchi. They have worked together on numerous titles, most notably the games in the Final Fantasy series. After nearly 20 years in the company, he left Square Enix in 2004 and founded his own company called Smile Please, as well as the music production company Dog Ear Records. He has since composed music as a freelancer for video games primarily developed by Square Enix and Sakaguchi's development studio Mistwalker.
A handful of soundtracks and arranged albums of Uematsu's game scores have been released. Pieces from his video game works have been performed in concerts worldwide, and numerous Final Fantasy concerts have also been held. He has worked with Grammy Award-winning conductor Arnie Roth on several of these concerts. In 2002, he formed a rock band with colleagues Kenichiro Fukui and Tsuyoshi Sekito called The Black Mages, in which Uematsu plays the keyboard. The band plays arranged rock versions of Uematsu's Final Fantasy compositions.
Uematsu joined Square (later Square Enix) in 1985, where he met Final Fantasy creator Hironobu Sakaguchi. They have worked together on numerous titles, most notably the games in the Final Fantasy series. After nearly 20 years in the company, he left Square Enix in 2004 and founded his own company called Smile Please, as well as the music production company Dog Ear Records. He has since composed music as a freelancer for video games primarily developed by Square Enix and Sakaguchi's development studio Mistwalker.
A handful of soundtracks and arranged albums of Uematsu's game scores have been released. Pieces from his video game works have been performed in concerts worldwide, and numerous Final Fantasy concerts have also been held. He has worked with Grammy Award-winning conductor Arnie Roth on several of these concerts. In 2002, he formed a rock band with colleagues Kenichiro Fukui and Tsuyoshi Sekito called The Black Mages, in which Uematsu plays the keyboard. The band plays arranged rock versions of Uematsu's Final Fantasy compositions.
Shadows
The Shadows (originally known as the Drifters) were an English instrumental rock group. They were Cliff Richard's backing band from 1958 to 1968 and on numerous reunion tours. The Shadows have placed 69 UK charted singles from the 1950s to the 2000s, 35 credited to the Shadows and 34 to Cliff Richard and the Shadows. The group, who were in the forefront of the UK beat-group boom, were the first backing band to emerge as stars. As pioneers of the four-member instrumental format, the band consisted of lead guitar, rhythm guitar, bass guitar and drums. Their range covers pop, rock, surf rock and ballads with a jazz influence.[
Henri Vieuxtemps
Henri François Joseph Vieuxtemps (17 February 1820 – 6 June 1881) was a Belgian composer and violinist. He occupies an important place in the history of the violin as a prominent exponent of the Franco-Belgian violin school during the mid-19th century.
Franz Liszt
Franz Liszt (Hungarian: Ferencz Liszt, in modern usage Ferenc Liszt, from 1859 to 1865 officially Franz Ritter von Liszt) (October 22, 1811 – July 31, 1886) was a Hungarian composer, virtuoso pianist and teacher. He was also the father-in-law of Richard Wagner. In 1865 he became abbot in the Roman Catholic Church.
Liszt became renowned throughout Europe during the 19th century for his great skill as a performer. He was said by his contemporaries to have been the most technically advanced pianist of his age and perhaps the greatest pianist of all time. He was also an important and influential composer, a notable piano teacher, a conductor who contributed significantly to the modern development of the art, and a benefactor to other composers and performers, notably Richard Wagner, Hector Berlioz, Camille Saint-Saëns, Edvard Grieg and Alexander Borodin.
As a composer, Liszt was one of the most prominent representatives of the "Neudeutsche Schule" ("New German School"). He left behind a huge and diverse body of work, in which he influenced his forward-looking contemporaries and anticipated some 20th-century ideas and trends. Some of his most notable contributions were the invention of the symphonic poem, developing the concept of thematic transformation as part of his experiments in musical form and making radical departures in harmony.
Liszt became renowned throughout Europe during the 19th century for his great skill as a performer. He was said by his contemporaries to have been the most technically advanced pianist of his age and perhaps the greatest pianist of all time. He was also an important and influential composer, a notable piano teacher, a conductor who contributed significantly to the modern development of the art, and a benefactor to other composers and performers, notably Richard Wagner, Hector Berlioz, Camille Saint-Saëns, Edvard Grieg and Alexander Borodin.
As a composer, Liszt was one of the most prominent representatives of the "Neudeutsche Schule" ("New German School"). He left behind a huge and diverse body of work, in which he influenced his forward-looking contemporaries and anticipated some 20th-century ideas and trends. Some of his most notable contributions were the invention of the symphonic poem, developing the concept of thematic transformation as part of his experiments in musical form and making radical departures in harmony.
Arcangelo Corelli
Arcangelo Corelli (17 February 1653 – 8 January 1713) was an Italian violinist and composer of Baroque music.
Corelli was born at Fusignano, in the current-day province of Ravenna, although at the time it was in the province of Ferrara. Little is known about his early life. His master on the violin was Giovanni Battista Bassani. Matteo Simonelli, the well-known singer of the pope’s chapel, taught him composition.
He gained his first major success in Paris at the age of nineteen, and to this he owed his European reputation. From Paris, Corelli went to Germany. In 1681 he was in the service of the electoral prince of Bavaria; between 1680 and 1685 he spent a considerable time in the house of his friend and fellow violinist-composer Cristiano Farinelli (believed to be the uncle of the celebrated castrato Farinelli).
In 1685 Corelli was in Rome, where he led the festival performances of music for Queen Christina of Sweden, and he was also a favorite of Cardinal Pietro Ottoboni, grandnephew of another Cardinal Pietro Ottoboni, who in 1689 became Pope Alexander VIII. From 1689 to 1690 he was in Modena; the Duke of Modena was generous to him. In 1708 he returned to Rome, living in the palace of Cardinal Ottoboni. His visit to Naples, at the invitation of the king, took place in the same year.
The style of execution introduced by Corelli and preserved by his pupils, such as Francesco Geminiani, Pietro Locatelli, and many others, was of vital importance for the development of violin playing. It has been said that the paths of all of the famous violinist-composers of 18th-century Italy led to Arcangelo Corelli who was their "iconic point of reference." (Toussaint Loviko, in the program notes to Italian Violin Concertos, Veritas, 2003)
Corelli was born at Fusignano, in the current-day province of Ravenna, although at the time it was in the province of Ferrara. Little is known about his early life. His master on the violin was Giovanni Battista Bassani. Matteo Simonelli, the well-known singer of the pope’s chapel, taught him composition.
He gained his first major success in Paris at the age of nineteen, and to this he owed his European reputation. From Paris, Corelli went to Germany. In 1681 he was in the service of the electoral prince of Bavaria; between 1680 and 1685 he spent a considerable time in the house of his friend and fellow violinist-composer Cristiano Farinelli (believed to be the uncle of the celebrated castrato Farinelli).
In 1685 Corelli was in Rome, where he led the festival performances of music for Queen Christina of Sweden, and he was also a favorite of Cardinal Pietro Ottoboni, grandnephew of another Cardinal Pietro Ottoboni, who in 1689 became Pope Alexander VIII. From 1689 to 1690 he was in Modena; the Duke of Modena was generous to him. In 1708 he returned to Rome, living in the palace of Cardinal Ottoboni. His visit to Naples, at the invitation of the king, took place in the same year.
The style of execution introduced by Corelli and preserved by his pupils, such as Francesco Geminiani, Pietro Locatelli, and many others, was of vital importance for the development of violin playing. It has been said that the paths of all of the famous violinist-composers of 18th-century Italy led to Arcangelo Corelli who was their "iconic point of reference." (Toussaint Loviko, in the program notes to Italian Violin Concertos, Veritas, 2003)
Carl Goldmark
Karl Goldmark (born Károly Goldmark, Keszthely, May 18, 1830 – Vienna, January 2, 1915) was a Hungarian-born Viennese composer.[1Goldmark came from a large Jewish family. His father, Ruben Goldmark, was a chazan (cantor) to the Jewish congregation at Keszthely, Hungary, where Karl was born. Karl Goldmark's older brother Joseph became a physician and was later involved in the Revolution of 1848, and forced to emigrate to the United States. Karl Goldmark's early training as a violinist was at the musical academy of Sopron (1842–44).He continued his music studies there and two years later was sent by his father to Vienna, where he was able to study for some eighteen months with Leopold Jansa before his money ran out. He prepared himself for entry first to the Vienna Technische Hochschule and then to the Vienna Conservatory to study the violin with Joseph Böhm and harmony with Gottfried Preyer.
Elgar
Sir Edward William Elgar, 1st Baronet, OM, GCVO (2 June 1857 – 23 February 1934) was an English composer. He is known for such works as the Enigma Variations, the Pomp and Circumstance Marches, The Dream of Gerontius, concertos for violin and cello, and two symphonies. He also composed oratorios, chamber music and songs. He was appointed Master of the King's Musick in 1924.
Charles Lockhart
Charles Lockhart (1745 London, England – February 9, 1815 London, England), was an English organist and composer of hymn-tunes, best known for the tunes "Tamworth" (1790) and "Carlisle" (1791).
Metallica
Metallica is an American heavy metal band that formed in 1981 in Los Angeles, California. Founded when drummer Lars Ulrich posted an advertisement in a Los Angeles newspaper, Metallica's original line-up consisted of Ulrich, rhythm guitarist and vocalist James Hetfield, lead guitarist Dave Mustaine, and bassist Ron McGovney. These last two were later replaced from the band, in favor of Kirk Hammett and Cliff Burton, respectively. In September 1986, Metallica's tour bus skidded out of control and flipped, which resulted in Burton being crushed under the bus and killed. Jason Newsted replaced him less than two months later. Newsted left the band in 2001 and was replaced by Robert Trujillo in 2003.
Metallica's early releases included fast tempos, instrumentals, and aggressive musicianship that placed them as one of the "Big Four" of the thrash metal subgenre alongside Slayer, Megadeth and Anthrax. The band earned a growing fan base in the underground music community, and some critics say the 1986 release Master of Puppets is one of the most influential and "heavy" thrash metal albums. The band achieved substantial commercial success with its self-titled 1991 album, which debuted at number one on the Billboard 200. Some critics and fans believed the band changed its musical direction to appeal to the mainstream audience. With the release of Load in 1996, Metallica distanced itself from earlier releases in what has been described as "an almost alternative rock approach", and the band faced accusations of "selling out".
In 2000, Metallica was among several artists who filed a lawsuit against Napster for sharing the band's copyright-protected material for free without the band members' consent. A settlement was reached, and Napster became a pay-to-use service. Despite reaching number one on the Billboard 200, the release of St. Anger in 2003 disappointed some critics and fans with the exclusion of guitar solos, and the "steel-sounding" snare drum. A film titled Some Kind of Monster documented the recording process of St. Anger.
Metallica's early releases included fast tempos, instrumentals, and aggressive musicianship that placed them as one of the "Big Four" of the thrash metal subgenre alongside Slayer, Megadeth and Anthrax. The band earned a growing fan base in the underground music community, and some critics say the 1986 release Master of Puppets is one of the most influential and "heavy" thrash metal albums. The band achieved substantial commercial success with its self-titled 1991 album, which debuted at number one on the Billboard 200. Some critics and fans believed the band changed its musical direction to appeal to the mainstream audience. With the release of Load in 1996, Metallica distanced itself from earlier releases in what has been described as "an almost alternative rock approach", and the band faced accusations of "selling out".
In 2000, Metallica was among several artists who filed a lawsuit against Napster for sharing the band's copyright-protected material for free without the band members' consent. A settlement was reached, and Napster became a pay-to-use service. Despite reaching number one on the Billboard 200, the release of St. Anger in 2003 disappointed some critics and fans with the exclusion of guitar solos, and the "steel-sounding" snare drum. A film titled Some Kind of Monster documented the recording process of St. Anger.
Maurice Chevalier
Maurice Auguste Chevalier was a French singer, actor and entertainer. He is perhaps best known for his signature songs, including "Livin' In The Sunlight", "Valentine", "Louise", "Mimi", and "Thank ...
Eduardo Di Capua
DescriptionEduardo Di Capua was a Neapolitan composer, singer and songwriter. Date of birth: March 12, 1865, Naples, Italy Date and place of death: 3 October 1917, Milan, Italy Education: Music conservatories of Naples Genre: Classical music Albums: O Sole Mio